One man posts a video of his child driving a car, and suddenly this is some great no-no, an act of unbridled stupidity?
Isn't going out onto a backcountry road and getting a taste of adulthood one of the great joys of childhood? I would like to know how people haven't had this experience as children. Would a video of a child toasting and sipping some wine at Christmas meet with the same approbation? After all, drinking under age is illegal, isn't it?
It seems here that what's really wrong is posting the video. In this way the Internet seems far, far less like a democratic forum, where people vote and deliberate, and more like a courtroom, where people judge and sentence others. This distinction seems be and large to have been lost on people.
So as one fixes their lives online, those lives get fixed to the law, and out the window are all the informal and subtle rules and pleasures of a culture.
I promise soon to post more optimistic things! I am just getting the hang of things after a long absence.
Wednesday, August 05, 2009
Tuesday, August 04, 2009
Some Notes Around West Queen West
I took a walk along Ossington yesterday. During the day, the strip retains it's pre-hip entertainment area feel, which is to say, relatively quiet and rather charming.
At the foot of Ossington, I turned west along Queen and walked all the way to Gladstone. Along my way, I was stopped by a young man on a bike, who told me he had just gotten out of jail, and that he didn't want to do anything stupid to get some money, and was wondering if I could help him out. I said I was sorry, that I had no money (which was true, I rarely have money on me), and he biked off down Queen Street.
I've been asked for money many, many times here in Toronto, but this was the first time someone had actually implied to me that a) he was going to "do something", as in go rob a store, if I didn't give him some money, the implication then being that I would be somehow responsible for his bad action, and/or b) that I might in fact become the victim of his inability to acquire money. Maybe even right now.
Either choice put the onus on me to prevent harm, to myself or to others. In other words, he feared his own incontinence, or more precisely, he felt that conveying this as his de facto marketing strategy was a way of standing out amongst the local begging community, most of whom are mentally ill and therefore, at least to me, have become a kind of secular mendicant class in our post-institutional society.
I am genuinely curious to know if it works for him, although I am little desire to encounter him again.
***
Moments after this experience, I strolled into the Drake General Store. The Drake Hotel, credited with "revitalizing" this part of Queen Street, has expanded this revitalization to include pornographic colouring books and vintage Mickey Mouse trapeze toys.
Yes, there really are pornographic colouring books. I don't really see the fun in colouring this kind of stuff, really, wouldn't it be more fun to draw, but there you have it. As for the Mickey Mouse trapeze toy, I mention it because a) I had one as a child, and b) they are selling them for $20. A quick search on the Internet reveals the average price of this toy to be around $5. If mine still exists, I would be happy to kind of split the difference and sell it to one of my readers for $10. If there are any takers you know how to get in touch with me.
It might come as a surprise to you that despite it's name, the Drake General Store has little in the way of things that one might associate with general stores of yore, you know, things like food and blankets. I suspect this is some kind of ironic ploy on their part, a wink in the direction of their clientele that what is general about the store is its diffuse range of kitschy objects.
Nevertheless, I can imagine some hapless tourist, in need of band-aids, finding their way into the Drake General Store and being slightly disappointed and somewhat confused. Especially with the neon purple Swiss cross hanging outside the door.
Oh, and another thing, the guy in the store said nothing and looked at no one. This may come as a surprise to you, but my Drake hotel experiences have been generally good, and the staff friendly and courteous, so I was a little bit surprised by this. Perhaps he'd just coloured outside the lines of the "Behind the Green Door" page of his colouring book and was sulking.
***
Once I hit Gladstone, I decided to walk north, off Queen street and into the residential neighbourhood. It was only then that it hit me - I do not like this strip of Queen street anymore. It was visceral actually, a kind of revulsion at the fact that there is a brand new poutine...(store? restaurant? poutinerie? (I think the last one is correct) poutinerie, run by a pair of very nice guys who have built a very nice place that sells...just poutine. Poutine. It's good poutine, by the way, but that's not the point.
Have I mentioned before how many local places around here have a house poutine? Many. And yet most of them fail to be as good as what one can get at a Harvey's in Montreal. Not that I eat much poutine, mind you, but I have yet to convinced of its ascension into the pantheon of dishes worthy of extensive culinary experimentation, its value as an aesthetic object. This is mostly because of bad gravy.
Toronto, just as you've only begun to wake to the possibilities of very fine coffee, you seem to be years away from gravy that doesn't taste like it was once powder contained in a foil-lined pouch. And yet, we can already see that poutine's brief star is waning, to be soon replaced by the grilled cheese sandwich.
If the hipster Pravda that is Blogto is right, and they usually are, there will be many nice establishments selling $16 grilled cheese sandwiches using only 16 kinds artisinal cheese from Ancaster Bros Farm pre-blended exclusively for the local grillé-fromagerie. And nothing else.
***
If one detects a certain malaise coming out as a kind of inchoate rage here, I apologize. If it is not to your liking, I would direct you to many of the fine blogs I link to on my sidebar. I just feel the need to say, kind of publicly, that West Queen West is not going to be a very nice place to live or visit in about 4 years. I could be wrong, but I suspect I won't be.
At the foot of Ossington, I turned west along Queen and walked all the way to Gladstone. Along my way, I was stopped by a young man on a bike, who told me he had just gotten out of jail, and that he didn't want to do anything stupid to get some money, and was wondering if I could help him out. I said I was sorry, that I had no money (which was true, I rarely have money on me), and he biked off down Queen Street.
I've been asked for money many, many times here in Toronto, but this was the first time someone had actually implied to me that a) he was going to "do something", as in go rob a store, if I didn't give him some money, the implication then being that I would be somehow responsible for his bad action, and/or b) that I might in fact become the victim of his inability to acquire money. Maybe even right now.
Either choice put the onus on me to prevent harm, to myself or to others. In other words, he feared his own incontinence, or more precisely, he felt that conveying this as his de facto marketing strategy was a way of standing out amongst the local begging community, most of whom are mentally ill and therefore, at least to me, have become a kind of secular mendicant class in our post-institutional society.
I am genuinely curious to know if it works for him, although I am little desire to encounter him again.
***
Moments after this experience, I strolled into the Drake General Store. The Drake Hotel, credited with "revitalizing" this part of Queen Street, has expanded this revitalization to include pornographic colouring books and vintage Mickey Mouse trapeze toys.
Yes, there really are pornographic colouring books. I don't really see the fun in colouring this kind of stuff, really, wouldn't it be more fun to draw, but there you have it. As for the Mickey Mouse trapeze toy, I mention it because a) I had one as a child, and b) they are selling them for $20. A quick search on the Internet reveals the average price of this toy to be around $5. If mine still exists, I would be happy to kind of split the difference and sell it to one of my readers for $10. If there are any takers you know how to get in touch with me.
It might come as a surprise to you that despite it's name, the Drake General Store has little in the way of things that one might associate with general stores of yore, you know, things like food and blankets. I suspect this is some kind of ironic ploy on their part, a wink in the direction of their clientele that what is general about the store is its diffuse range of kitschy objects.
Nevertheless, I can imagine some hapless tourist, in need of band-aids, finding their way into the Drake General Store and being slightly disappointed and somewhat confused. Especially with the neon purple Swiss cross hanging outside the door.
Oh, and another thing, the guy in the store said nothing and looked at no one. This may come as a surprise to you, but my Drake hotel experiences have been generally good, and the staff friendly and courteous, so I was a little bit surprised by this. Perhaps he'd just coloured outside the lines of the "Behind the Green Door" page of his colouring book and was sulking.
***
Once I hit Gladstone, I decided to walk north, off Queen street and into the residential neighbourhood. It was only then that it hit me - I do not like this strip of Queen street anymore. It was visceral actually, a kind of revulsion at the fact that there is a brand new poutine...(store? restaurant? poutinerie? (I think the last one is correct) poutinerie, run by a pair of very nice guys who have built a very nice place that sells...just poutine. Poutine. It's good poutine, by the way, but that's not the point.
Have I mentioned before how many local places around here have a house poutine? Many. And yet most of them fail to be as good as what one can get at a Harvey's in Montreal. Not that I eat much poutine, mind you, but I have yet to convinced of its ascension into the pantheon of dishes worthy of extensive culinary experimentation, its value as an aesthetic object. This is mostly because of bad gravy.
Toronto, just as you've only begun to wake to the possibilities of very fine coffee, you seem to be years away from gravy that doesn't taste like it was once powder contained in a foil-lined pouch. And yet, we can already see that poutine's brief star is waning, to be soon replaced by the grilled cheese sandwich.
If the hipster Pravda that is Blogto is right, and they usually are, there will be many nice establishments selling $16 grilled cheese sandwiches using only 16 kinds artisinal cheese from Ancaster Bros Farm pre-blended exclusively for the local grillé-fromagerie. And nothing else.
***
If one detects a certain malaise coming out as a kind of inchoate rage here, I apologize. If it is not to your liking, I would direct you to many of the fine blogs I link to on my sidebar. I just feel the need to say, kind of publicly, that West Queen West is not going to be a very nice place to live or visit in about 4 years. I could be wrong, but I suspect I won't be.
Friday, July 31, 2009
Why the Internet reminds me of Analytic Philosophy
This isn't really meant as a dig, but it's going to come across this way, for exactly the reasons I'm about to explain.
Why do I hate most blog comments? Why does so much e-mail come across the wrong way? Conversational Implicature, my friends! For all the great things that the Internet can do, like distribute free pornography and cures to erectile dysfunction to the huddled masses, one thing it appears to be lousy at, as a medium, is revealing a writer's intention. Beats me why, especially when the same words in a newspaper or a magazine seem to be more charitably taken than on the net.
And when I say I'm reminded of analytic philosophy, I simply mean that there is a kind of correlation here between what we focus on, like prepositions and what we leave out, like hand and facial gestures. The Internet seems to be a really horrible for the gesture.
Case in point is Russell Smith's column in the Globe and Mail yesterday, where he proposes a writing contest that parodies canlit. Now generally Smith gets slagged in the comments because he's too high-brow for the donut munching proletarians who troll the Globe site. Of course, this is because they miss the point of his writing, they miss his style.
So I find it especially amusing that when Smith asserts that he has a style, people are quick to point out that he really doesn't, because they completely miss his style, which is in full view in this very column - his sardonic wit tempered by a certain gentility, his aesthetic curiosity tempered by a strong sense of taste.
That everyone misses this isn't really Smith's fault, it's theirs, isn't it? I mean, do we really all have to write in such a way as the analytic philosophers believed language worked at the turn of the century, in declarative sentences which leave no content out for the reader to infer? Isn't this also what garbage like the plain language movement is about?
Could it be that the Internet effaces style? I have long wondered this myself, looking at my own prose on this site and often finding it wanting. Anyway, if you have an opinion on this matter, feel free to share it!
Why do I hate most blog comments? Why does so much e-mail come across the wrong way? Conversational Implicature, my friends! For all the great things that the Internet can do, like distribute free pornography and cures to erectile dysfunction to the huddled masses, one thing it appears to be lousy at, as a medium, is revealing a writer's intention. Beats me why, especially when the same words in a newspaper or a magazine seem to be more charitably taken than on the net.
And when I say I'm reminded of analytic philosophy, I simply mean that there is a kind of correlation here between what we focus on, like prepositions and what we leave out, like hand and facial gestures. The Internet seems to be a really horrible for the gesture.
Case in point is Russell Smith's column in the Globe and Mail yesterday, where he proposes a writing contest that parodies canlit. Now generally Smith gets slagged in the comments because he's too high-brow for the donut munching proletarians who troll the Globe site. Of course, this is because they miss the point of his writing, they miss his style.
So I find it especially amusing that when Smith asserts that he has a style, people are quick to point out that he really doesn't, because they completely miss his style, which is in full view in this very column - his sardonic wit tempered by a certain gentility, his aesthetic curiosity tempered by a strong sense of taste.
That everyone misses this isn't really Smith's fault, it's theirs, isn't it? I mean, do we really all have to write in such a way as the analytic philosophers believed language worked at the turn of the century, in declarative sentences which leave no content out for the reader to infer? Isn't this also what garbage like the plain language movement is about?
Could it be that the Internet effaces style? I have long wondered this myself, looking at my own prose on this site and often finding it wanting. Anyway, if you have an opinion on this matter, feel free to share it!
Thursday, July 30, 2009
The Apotheosis
Friends, I don't know why I write here anymore. Perhaps it's boredom, ennui, malaise, meloncholoy, or any of the other emotional by-products of Romanticism.
Anyway, I write now because I just attended a meeting so devoid of content, so empty of meaning, that I believe it important that its existence be preserved. So let this blog post be this meetings memorial fromaldahyde....
How do I justify this? As I watched my colleagues grope around trying to fill the hour's space with sufficient words, I detected the outline of every single meeting I have ever been to. Indeed, I believe now that virtually every meeting any of us attend takes this shape. This meeting, far from being a mere moment of my time, is a moment of every single one of our lives.
In this meeting's emptiness lay its sublimnity.
The meeting proceeded as follows:
1) Food and beverage between the main parties, supplemented by fawning courtesy from both sides.
2) The heads of each party explain their role, no, their telos, within the organization followed by an expression of shared interests and mutual solidarity, followed by examples of "that time we worked together and things went well".
3) This is followed by someone's (there is always someone) expression of existential despair by recounting the time something "didn't work". Although the reasons for something failing to work properly are usually the result of fate and not the actions of the agents involved, nevertheless, pointless questions have been raised and must be addressed.
4) Now to the heart of the matter - the reification of the individual's existential despair into a formal problem which must be solved by the introduction of a process. Usually some kind of collaboration is suggested, people are teamed up, partnered, accountability is affirmed and the meeting is adjourned.
5) Missives, both electronic and paper, are issued, thakning everyone for their mandatory participation and looking to the future, which is about three weeks, as the "formal" outcomes of the meeting are forgotten and the intial procedural gaits are recovered.
If this does not seem familiar to you, please feel free to let me know.
Also, there's a delightful article in today's New York Times about the hipster love of taxidermy. Had I been on top of things I could have beat this story to the punch with my own short film on taxidermy, but alas, I will have to be a trendsetter by stipulation only...you'll have to take my word for it. All that being said, the blog of one of those featured in the article is very nice.
Enjoy!
Anyway, I write now because I just attended a meeting so devoid of content, so empty of meaning, that I believe it important that its existence be preserved. So let this blog post be this meetings memorial fromaldahyde....
How do I justify this? As I watched my colleagues grope around trying to fill the hour's space with sufficient words, I detected the outline of every single meeting I have ever been to. Indeed, I believe now that virtually every meeting any of us attend takes this shape. This meeting, far from being a mere moment of my time, is a moment of every single one of our lives.
In this meeting's emptiness lay its sublimnity.
The meeting proceeded as follows:
1) Food and beverage between the main parties, supplemented by fawning courtesy from both sides.
2) The heads of each party explain their role, no, their telos, within the organization followed by an expression of shared interests and mutual solidarity, followed by examples of "that time we worked together and things went well".
3) This is followed by someone's (there is always someone) expression of existential despair by recounting the time something "didn't work". Although the reasons for something failing to work properly are usually the result of fate and not the actions of the agents involved, nevertheless, pointless questions have been raised and must be addressed.
4) Now to the heart of the matter - the reification of the individual's existential despair into a formal problem which must be solved by the introduction of a process. Usually some kind of collaboration is suggested, people are teamed up, partnered, accountability is affirmed and the meeting is adjourned.
5) Missives, both electronic and paper, are issued, thakning everyone for their mandatory participation and looking to the future, which is about three weeks, as the "formal" outcomes of the meeting are forgotten and the intial procedural gaits are recovered.
If this does not seem familiar to you, please feel free to let me know.
Also, there's a delightful article in today's New York Times about the hipster love of taxidermy. Had I been on top of things I could have beat this story to the punch with my own short film on taxidermy, but alas, I will have to be a trendsetter by stipulation only...you'll have to take my word for it. All that being said, the blog of one of those featured in the article is very nice.
Enjoy!
Friday, June 05, 2009
Some Thoughts on Persian Rugs
I have been recently enjoying a new blog, چهارباغ.
The author has been displaying some beautiful rugs on his site, and it puts in mind of my own encounter with a rug so powerful that I sought out a similar kind of rug for years, never to find one, and ultimately forgetting about it until his recent series of posts.
My only visit to New York City was in February of 1996. Through chance and pluck, the person I was staying with was a professional conductor who had led, among other groups, the New York Philharmonic. He had a beautiful Upper West Side apartment, with a view overlooking the Hudson River.
Here I was, a conducting student, hanging out with a guy who had not only made it, but he had made it in New York. I could brag about all the great things that happened those 5 days I was there, but none of that is really important anymore.
What I remember better than anything on that trip is the feel of a small silk orange and red patterned rug he had next to his piano. I would stand there for literally hours, barefoot, just feeling the rug with my feet, never touching it with my hands. It was unbelievably soft, cool, but not cold, yet never seemed to warm to my touch.
I cannot recall its provenance - he had been given it by someone a long time ago, and he would exercise on it. (Just so none of you think I was being cheeky about walking barefoot on it, it was he who had suggested it in the first place!)
When I returned to Calgary, I set out to find a rug just like it, or enough like it that my feet, would be able to experience perhaps the only true joy they have ever known.
I have long forgotten about that rug, but I am in sore need of a new one now, and perhaps it's time to take up the search again.
The author has been displaying some beautiful rugs on his site, and it puts in mind of my own encounter with a rug so powerful that I sought out a similar kind of rug for years, never to find one, and ultimately forgetting about it until his recent series of posts.
My only visit to New York City was in February of 1996. Through chance and pluck, the person I was staying with was a professional conductor who had led, among other groups, the New York Philharmonic. He had a beautiful Upper West Side apartment, with a view overlooking the Hudson River.
Here I was, a conducting student, hanging out with a guy who had not only made it, but he had made it in New York. I could brag about all the great things that happened those 5 days I was there, but none of that is really important anymore.
What I remember better than anything on that trip is the feel of a small silk orange and red patterned rug he had next to his piano. I would stand there for literally hours, barefoot, just feeling the rug with my feet, never touching it with my hands. It was unbelievably soft, cool, but not cold, yet never seemed to warm to my touch.
I cannot recall its provenance - he had been given it by someone a long time ago, and he would exercise on it. (Just so none of you think I was being cheeky about walking barefoot on it, it was he who had suggested it in the first place!)
When I returned to Calgary, I set out to find a rug just like it, or enough like it that my feet, would be able to experience perhaps the only true joy they have ever known.
I have long forgotten about that rug, but I am in sore need of a new one now, and perhaps it's time to take up the search again.
Thursday, June 04, 2009
Friday, March 13, 2009
Tautological Aphorism VI
Taxpayers demand accountability when it comes to their tax dollars, and they expect governments to spare no expense ensuring every tax dollar is properly accounted for.
Monday, March 09, 2009
Maybe Marlowe painted it with the help of Francis Bacon and Edward de Vere
I know that I ususually have nothing but contempt for online story commenters, but CBC has a story about the authentic portrait of Shakespeare where I encourage you to read the comments, because they're hilarious.
Thursday, February 26, 2009
Anton Kuerti on....Cars
The Globe and Mail has found yet another way to talk to classical musicians about anything except boring old stuffy classical music. Boooring!
Today, there's a profile of Kuerti and his car. Turns out he's very practical and doesn't like to drive. Also, he's rather left-wing (good lord!).
Come to think of it, this is actually a pretty damn brave article to slap in the middle of the Globe's Car section...if I owned a car, I would listen to his recording of the Beethoven piano sonatas on my CD player every day. I love them that much.
Sorry things have been quiet around here. They will be for a while longer, probably until May. Carry on!
Today, there's a profile of Kuerti and his car. Turns out he's very practical and doesn't like to drive. Also, he's rather left-wing (good lord!).
Come to think of it, this is actually a pretty damn brave article to slap in the middle of the Globe's Car section...if I owned a car, I would listen to his recording of the Beethoven piano sonatas on my CD player every day. I love them that much.
Sorry things have been quiet around here. They will be for a while longer, probably until May. Carry on!
Wednesday, February 18, 2009
The Statues of Queen's Park II: Al Purdy
I snapped these at a rather different time of year, as a follow up to a series of posts I started nearly two years ago!
They are of the statue of the poet Al Purdy. Here's hoping that Chris Miller makes his way over here again to let us know what he thinks of both the statue and the photos...
Who would have thought that a forarm vein could be so compelling? Does anyone else remember how, in our youth, these veins were a sure sign of physical strength?
To be honest, I'm not quite sure of the pose - contemplative? But why? Or, why like this? Beats me.
I think this is a better angle...although you wouldn't know it because of the sun...
This one is also nice:
I do believe he is not only the first poet to be honoured with a statue at Queen's Park, he's the first artist.
They are of the statue of the poet Al Purdy. Here's hoping that Chris Miller makes his way over here again to let us know what he thinks of both the statue and the photos...
Who would have thought that a forarm vein could be so compelling? Does anyone else remember how, in our youth, these veins were a sure sign of physical strength?
To be honest, I'm not quite sure of the pose - contemplative? But why? Or, why like this? Beats me.
I think this is a better angle...although you wouldn't know it because of the sun...
This one is also nice:
I do believe he is not only the first poet to be honoured with a statue at Queen's Park, he's the first artist.
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