Here's a depressing (albeit anecdotal) read. It's about how native English speakers, who also fluently speak another language like German or Korean, have discovered that Germans or Koreans are actually insulted when an English speaker speaks to them in their native language.
As a Canadian, I have become somewhat accustomed to going to Montreal and finding it nearly impossible to speak French with anyone. I am bilingual, having spent my entire school life in French immersion, but it's obvious that I was not brought up in Quebec, and so I've found it a challenge to speak French in Montreal.
Outside of Montreal it's a completely different story, but it used to really frustrate me to have to speak English to Quebecois who could barely do so, just because they were offended by the fact that I could speak their language, and my French was much better than their English. This kind of suspicion, I think, is part of what's motivating the PQ's recent decision to ban religious symbols from public spaces. But this was the mid-1990's, the height of the Separatist fervor and the 1995 referendum, and so I chalked it up to that.
As for Germany, my experience has usually been pretty positive. People will respond to me in English when I begin speaking with them, but I usually think they are doing this as a courtesy, because when I respond again in German, they respond in German. Most people I encountered in Germany seemed somewhat relieved that they didn't have to speak English, in part because although nearly everyone speaks it, it's easier (for all of us!) to converse in one's native tongue. Often people seemed relieved to be able to speak German instead of English. I might not have felt relieved, but that was my problem!
But there is a larger issue here, one that is raised in the post. I was speaking to some Medievalist friends yesterday, and they noted that the language requirements in their department have been watered down over the years, because students are not coming to the program with much in the way of foreign languages. We lament this, but the fact that Universities are closing down their language departments and schools no longer teach Latin means that it's quite likely, even in Canada where everyone "learns" French, to have a student population who has had no meaningful exposure to a second language, where it's messed up their brain a bit and made it soft for learning other languages.
I think this is a really big issue for those of us in the North American Humanities - it's not just that people (maybe) don't want to speak with us in anything but English when we are abroad, it's that really learning a bunch of languages, when you are a native English speaker, is a cost you do not have to bear, because you can always rely on English anyway.
Wednesday, September 18, 2013
Tuesday, September 17, 2013
Torched, or, Social Media is a Symptom of Existential Boredom, Not its Cure.
Jonathan Franzen wrote an article about the Internet last week (on the Internet, oh the hypocrisy, it's like Noam Chomsky owning stocks!) and the Internet is furious ab- no wait, actually, the Internet is rather dismissive of it. Actually, they focus on the fact that he dislikes Twitter and then reply that other people, even famous authors like Jonathan Franzen, like and use Twitter.
But dear readers, you are sitting there, at your computer (or perhaps you print off everyone of my blog posts to savour them the way they were intended to be read, on paper) and waiting to read my opinion of Jonathan Franzen's opinion of the Internet, by way of an introduction to his translations of Karl Kraus with respect to Kraus' views on Heinrich Heine.
Well, I had intended to reserve judgement, in part because it just so happens that Heine is the subject of my PhD dissertation! Moreover, I think Kraus' piece on Heine, which had a tremendous (and negative) influence on the subsequent reception on Heine, is a deeply flawed piece, and I suppose I want to give Franzen the benefit of the doubt to see what he takes from Kraus' essay. And I intended to talk about it later on, when the book is out, if it's worthwhile.
I say if it's worthwhile because, having subscribed to the digitized archive of Kraus' die Fackel years ago and also having read quite a bit of him, I have to say that I don't really get Karl Kraus. I get that he's angry, and I get how he feels about language, but what he writes does not resonate with me. So when I read Franzen's piece, beyond the fact that there's a major American author attempting to do something relentlessly uh, highbrow, (an Austrian?) I was genuinely interested to see where he would take this.
But what didn't really occur to me was that the overwhelming response to his taking a dead Austrian misanthrope and bringing him to a wider audience was to dismiss everything he says because he doesn't really like what Twitter or the Internet are doing to us, and that all the people criticizing him are doing so because they like to tweet and use Facebook. And because he isn't as popular as Norman Mailer.
In fact, it seems that his audience is incredibly hostile to the very idea that Franzen (or Kraus) could have anything of value to say about the Internet, or perhaps anything at all. I woke up at the start of the week, and looked around the Internet, and Franzen is everywhere on social media. In other words, watching how people are reacting to this on Twitter, or elsewhere, is a case study in exactly what he's getting at.
It's not good.
Some people seem to hate the essay because it's long, as in more than 140 characters (gotcha!), but what's really perverse is just how desperately so many people (as in half the people who write for the New Inquiry) seem to focus on defending the Internet, as though the Internet needs defending.
It reminds me of all the times I've dealt with people who like non-classical music criticize my love of classical music because they reflexively see Beethoven as a kind of existential threat to popular music's existence. But this fits right into that - note how many articles about this quickly point out that Franzen is an old white dude, who likes old white German dudes! You cannot get any more elitist than liking old Germans!
But need I remind all of you, the war is over, Rock and the Internet won, young people are our future and they love technology and so you should never listen to old men who have spent 20-30 years reading and thinking about someone and who then use that to criticize your anxious, incessant electronic emissions, except that he's not criticizing your emissions, he's criticizing why everyone finds those emissions so essential to the functioning of modern life.
Or that the Twitter account is modern life, that yes, it's true, it's really true, your tweet is the final word on all that he wrote, 140 characters and a smartphone is all anyone needs to respond to a 5000 word essay.
I think what really bothers (even angers!) Jonathan Franzen is that the latest iteration of modernity (I mean the one since maybe 2006?) is accelerating the replacement of knowledge with reaction which has been a long-standing feature of modernity (I'm thinking of modernity as something invented in 1797 in Jena by some young German dudes). It's the whole Enlightenment vs. Romanticism thing, again.
I cannot help but agree with him.
***
I have to confess, I have thought about getting a Twitter account again. I had one years ago for work reasons, but deleted it because it freaked me out. Why the hell would these random people want to read my text messages? But then I have to admit that I really enjoy Teju Cole's twitter feed.
But then, as someone who worked in an environment during the transition from letter mail to e-mail, and watched as people's concerns about political issues moved from having to take the time to write out a letter, and then put a stamp on it, and send it along, to simply sitting down in front of a computer (as I am now) and typing out the first things that come to you when you read/see/hear something, is it really, really crazy to think that there was something better about the long hand-written or typed letter? That my free blog is perhaps not the best possible way to conduct conversations in the public sphere?
Lately, Franzen (and I) are not alone. The publisher of Harper's, John R. MacArthur, writes in this month's issue a jeremiad against the publishing industry's race to the bottom, they who, in the spirit of competition, hoped that giving everything away for free would magically produce profits, when all really did was impoverish writers and create the expectation that everything online, including well-written and well-researched writing, should be free.
And recently, Rebecca Solnit had a piece on how our feeling of time changed in the 90's with the advent of e-mail how the acceleration of social media has transformed (not always for the better) our lives in ways that only someone like her, a writer, could meaningfully and cogently articulate.
Is it terribly uncharitable of Franzen to dislike much of what the Internet has simply because lots of other people have Stockholm Syndrome from spending so much time online that they no longer distinguish reflecting on the Internet from being on the Internet?
I quit Facebook about 3 years ago, mainly because, I didn't really like it. And for the most part, leaving has had no impact on my life.
But it's telling what people say when you tell them you're not on Facebook. They tell you about how much I am missing out on because I'm not on Facebook, including actual parties. All I can think to myself is that if people aren't inviting me to parties because I'm not on Facebook, that's probably not a problem, because they probably didn't really want me there anyway. People who want to see me, or invite me somewhere, have a wide assortment of tools at their disposal with which to communicate with me and invite me to things.
But at the same time, while so many explain to me the necessity of social media, I know very few people who actually like Facebook, or Twitter, as in, they love nothing more than sitting down and using these things. Rather, it often strikes me as though everyone is consuming some low-protein gruel that they cannot stop eating, but that never fills them up.
All of these technologies are so hungry, for our reactions, for our thoughts, for our time. And for what?
But dear readers, you are sitting there, at your computer (or perhaps you print off everyone of my blog posts to savour them the way they were intended to be read, on paper) and waiting to read my opinion of Jonathan Franzen's opinion of the Internet, by way of an introduction to his translations of Karl Kraus with respect to Kraus' views on Heinrich Heine.
Well, I had intended to reserve judgement, in part because it just so happens that Heine is the subject of my PhD dissertation! Moreover, I think Kraus' piece on Heine, which had a tremendous (and negative) influence on the subsequent reception on Heine, is a deeply flawed piece, and I suppose I want to give Franzen the benefit of the doubt to see what he takes from Kraus' essay. And I intended to talk about it later on, when the book is out, if it's worthwhile.
I say if it's worthwhile because, having subscribed to the digitized archive of Kraus' die Fackel years ago and also having read quite a bit of him, I have to say that I don't really get Karl Kraus. I get that he's angry, and I get how he feels about language, but what he writes does not resonate with me. So when I read Franzen's piece, beyond the fact that there's a major American author attempting to do something relentlessly uh, highbrow, (an Austrian?) I was genuinely interested to see where he would take this.
But what didn't really occur to me was that the overwhelming response to his taking a dead Austrian misanthrope and bringing him to a wider audience was to dismiss everything he says because he doesn't really like what Twitter or the Internet are doing to us, and that all the people criticizing him are doing so because they like to tweet and use Facebook. And because he isn't as popular as Norman Mailer.
In fact, it seems that his audience is incredibly hostile to the very idea that Franzen (or Kraus) could have anything of value to say about the Internet, or perhaps anything at all. I woke up at the start of the week, and looked around the Internet, and Franzen is everywhere on social media. In other words, watching how people are reacting to this on Twitter, or elsewhere, is a case study in exactly what he's getting at.
It's not good.
Some people seem to hate the essay because it's long, as in more than 140 characters (gotcha!), but what's really perverse is just how desperately so many people (as in half the people who write for the New Inquiry) seem to focus on defending the Internet, as though the Internet needs defending.
It reminds me of all the times I've dealt with people who like non-classical music criticize my love of classical music because they reflexively see Beethoven as a kind of existential threat to popular music's existence. But this fits right into that - note how many articles about this quickly point out that Franzen is an old white dude, who likes old white German dudes! You cannot get any more elitist than liking old Germans!
But need I remind all of you, the war is over, Rock and the Internet won, young people are our future and they love technology and so you should never listen to old men who have spent 20-30 years reading and thinking about someone and who then use that to criticize your anxious, incessant electronic emissions, except that he's not criticizing your emissions, he's criticizing why everyone finds those emissions so essential to the functioning of modern life.
Or that the Twitter account is modern life, that yes, it's true, it's really true, your tweet is the final word on all that he wrote, 140 characters and a smartphone is all anyone needs to respond to a 5000 word essay.
I think what really bothers (even angers!) Jonathan Franzen is that the latest iteration of modernity (I mean the one since maybe 2006?) is accelerating the replacement of knowledge with reaction which has been a long-standing feature of modernity (I'm thinking of modernity as something invented in 1797 in Jena by some young German dudes). It's the whole Enlightenment vs. Romanticism thing, again.
I cannot help but agree with him.
***
I have to confess, I have thought about getting a Twitter account again. I had one years ago for work reasons, but deleted it because it freaked me out. Why the hell would these random people want to read my text messages? But then I have to admit that I really enjoy Teju Cole's twitter feed.
But then, as someone who worked in an environment during the transition from letter mail to e-mail, and watched as people's concerns about political issues moved from having to take the time to write out a letter, and then put a stamp on it, and send it along, to simply sitting down in front of a computer (as I am now) and typing out the first things that come to you when you read/see/hear something, is it really, really crazy to think that there was something better about the long hand-written or typed letter? That my free blog is perhaps not the best possible way to conduct conversations in the public sphere?
Lately, Franzen (and I) are not alone. The publisher of Harper's, John R. MacArthur, writes in this month's issue a jeremiad against the publishing industry's race to the bottom, they who, in the spirit of competition, hoped that giving everything away for free would magically produce profits, when all really did was impoverish writers and create the expectation that everything online, including well-written and well-researched writing, should be free.
And recently, Rebecca Solnit had a piece on how our feeling of time changed in the 90's with the advent of e-mail how the acceleration of social media has transformed (not always for the better) our lives in ways that only someone like her, a writer, could meaningfully and cogently articulate.
Is it terribly uncharitable of Franzen to dislike much of what the Internet has simply because lots of other people have Stockholm Syndrome from spending so much time online that they no longer distinguish reflecting on the Internet from being on the Internet?
I quit Facebook about 3 years ago, mainly because, I didn't really like it. And for the most part, leaving has had no impact on my life.
But it's telling what people say when you tell them you're not on Facebook. They tell you about how much I am missing out on because I'm not on Facebook, including actual parties. All I can think to myself is that if people aren't inviting me to parties because I'm not on Facebook, that's probably not a problem, because they probably didn't really want me there anyway. People who want to see me, or invite me somewhere, have a wide assortment of tools at their disposal with which to communicate with me and invite me to things.
But at the same time, while so many explain to me the necessity of social media, I know very few people who actually like Facebook, or Twitter, as in, they love nothing more than sitting down and using these things. Rather, it often strikes me as though everyone is consuming some low-protein gruel that they cannot stop eating, but that never fills them up.
All of these technologies are so hungry, for our reactions, for our thoughts, for our time. And for what?
Friday, September 13, 2013
Nein Quarterly
The biggest problem with being such a terribly inconsistent blogger is that my many plans never come to fruition. Worse, I never even tell anyone about those plans that never come to fruition!
But at one point, I thought to myself, "Hey, I'm a Germanist, getting a PhD at a German department at an actual university!" (In fact, that is how many of you have found me!) Thought continued - "I should strive to become the biggest Germanist in the blogosphere! Yeah, I'm going to focus on that, oh hey look, a dog with a puffy tail! Come here Puff Puff!"
Anyway, as someone who has actually publicly defended Adorno on jazz, all I can say is that I wish I had come up with something like Nein Quarterly because it's both funny and also sounds a lot like this character I do for a very, very, very small group of people...but 36,000 followers for a Germanist making fun of Germans is impressive.
I guess I can give up my dream of being the Fü-, no wait, that's not good, I mean the top Germanist online...
Yes, it is crazy that I'm promoting a twitter feed, but here we are, where blogging is an old-fashioned medium, and twitter is the telegraph of our age. I think it was Hegel who said that the Owl of Minerva, who made it difficult to listen to Beethoven because it would not stop hooting, was the Pudelskern of modernity, but Twitter is something, I think!
But at one point, I thought to myself, "Hey, I'm a Germanist, getting a PhD at a German department at an actual university!" (In fact, that is how many of you have found me!) Thought continued - "I should strive to become the biggest Germanist in the blogosphere! Yeah, I'm going to focus on that, oh hey look, a dog with a puffy tail! Come here Puff Puff!"
Anyway, as someone who has actually publicly defended Adorno on jazz, all I can say is that I wish I had come up with something like Nein Quarterly because it's both funny and also sounds a lot like this character I do for a very, very, very small group of people...but 36,000 followers for a Germanist making fun of Germans is impressive.
I guess I can give up my dream of being the Fü-, no wait, that's not good, I mean the top Germanist online...
Yes, it is crazy that I'm promoting a twitter feed, but here we are, where blogging is an old-fashioned medium, and twitter is the telegraph of our age. I think it was Hegel who said that the Owl of Minerva, who made it difficult to listen to Beethoven because it would not stop hooting, was the Pudelskern of modernity, but Twitter is something, I think!
Thursday, September 12, 2013
Sad but True
There was a time when I hoped that this blog, if nothing else, would land me some free review copies of classical CDs/DVDs and books. That really seems insane to me now, not just because I never really put the work into this blog to justify anyone sending me anything, but because I thought that marketing other people's work because they sent it to me for free would be a good thing for me and this blog.
Monday, September 09, 2013
Einbahnstrasse as a Lost Paradigm for Blogging
So I'm re-reading Walter Benjamin's One-Way Street and it occurs to me, as I suspect it occurs to nearly everyone, just how bloggy it is. The discrete sections, seemingly unrelated, yet which nonetheless amount to a whole - could there be a better description of the experience of reading a blog? (It should come as no surprise that there is a One-Way Street blog)
There is a difference between the average blog and Benjamin's Einbahnstrasse - Benjamin intended his bits and pieces to come together, he slaved over their order of presentation (He reminds one of Wittgenstein in this respect).
Wasn't this the great, yet unrealized promise of blogging? That at the end (or along the way) many of them should be turned into a book? Blogging now feels less writing creating a book on the side, and more like maintaining the cork board at a Student Centre, so that the advertising of piano lessons and the selling of bicycles remains a satisfying experience for the student consumer. That being said, I suppose it is some badge of honour that the most regular visitors to my blog are people who come to crib materials for their undergraduate essays on Aristotle. Welcome cheaters! Bask in the illusory authority of the Internet, where what I write looks good, but could be entirely wrong, and all my citations made up just like in Flann O'Brien's The Dalkey Archive.
There is a difference between the average blog and Benjamin's Einbahnstrasse - Benjamin intended his bits and pieces to come together, he slaved over their order of presentation (He reminds one of Wittgenstein in this respect).
Wasn't this the great, yet unrealized promise of blogging? That at the end (or along the way) many of them should be turned into a book? Blogging now feels less writing creating a book on the side, and more like maintaining the cork board at a Student Centre, so that the advertising of piano lessons and the selling of bicycles remains a satisfying experience for the student consumer. That being said, I suppose it is some badge of honour that the most regular visitors to my blog are people who come to crib materials for their undergraduate essays on Aristotle. Welcome cheaters! Bask in the illusory authority of the Internet, where what I write looks good, but could be entirely wrong, and all my citations made up just like in Flann O'Brien's The Dalkey Archive.
Sunday, September 08, 2013
Kids are learning Socialism instead of Math! Or, why do so many adults hate the fact that we no longer beat children in schools anymore?
I knew I shouldn't have clicked on this Margaret Wente article, about how "the system" is failing Canadian kids at math.
But I did, in part beacuse a) my son has started school again, and b) he seems to have a hell of a lot of math classes! In fact, math seems to squeeze everything else out of his education this year. The fact that Wente claims that math is all but invisible in her column set off my BS-detector because it's the exact opposite of what an actual child in the Canadian school system is actually experiencing.
Maybe it's a trick by the teacher to teach them about the wonders of Stalin and the glories of East Berlin before the fall of the Wall, but I'm going to hedge my bets and say that the schedule is accurate, and that he's spending more time doing math than any other subject, by a considerable margin.
It is true, however, that last year's math test scores in Ontario are a bit lower in Grade 3 and 6 than they have been in the past 5 years. And it's true that there might be a trend there. But the pedagogical "issues" Margaret Wente is describing have been around since I was in school in the very late 1970's.
As always, I both encourage you and discourage you from reading the comments. They are the usual miasma of incohate rage and conjecture about how no longer forcing children to memorize times tables and teaching them creative ways to problem solve is Socialist Liberal Communists ruining our society and "failing our children". Except that it's not true.
I mean, I don't want to say that Margaret Wente is full of shit here, but my own anecdotal evidence is as follows: last year my son learned multiplication tables, as in, he had to memorize them, along with a weekly spelling test where he uh, had to memorize how to spell words correctly. Other kids, not just my son, were also subjected to this kind of rote learning.
He also learned about division and multiplication, and he also learned to add large numbers by stacking them on top of each other. So he, and everyone in his class, learned algoritms and memorized facts at school. Here in Ontario. Last year.
In fact, in what I'm sure would come as a shocking development to Margaret Wente, he was asked to review his multiplication tables over this weekend!
Oddly enough, this is not only how I learned to do math, it's also how my parents learned to do math!
Just a few years ago, I would help my step-daughter with her high school math, and it was all quadratic equations and trigonometry. It was never "Hey, see if you can figure out a cool way to calculate the acceleration of a Care Bear in her Care Car on the way to visit her friend Dora the Explorer in Cuddle Land, if Dora is 3.4 cuddle units from Careland and it takes her 12 love time units to get there? Please tweet your most creative attempt and then like it on Facebook".
So are these people telling us that kids aren't learning to do division or multiplication the old-fashioned way? Yes. Are they completely full of shit for reasons that I do not at all understand? Also yes.
Is the problem here that school is, at least to adults, more enjoyable now? It's as though all these grown ups recall school as being this soul-crushing experience of constantly having to memorize facts and figures, and in true modern Canadian fashion, instead of thinking that there might be a better way, instead believe that this young generation should be subjected to the same things that turned Margaret Wente into Margaret Wente?
Then there's this. Most adults I know are terrible at math, even those who were taught in the good old days back before "student-centred learning" became all the rage. How many of these self-righteous turds could help their children with math past Grade 6?
Perhaps the Ontario government should start measuring that, because I bet the results would shock the same mean-spirited jerks tut-tutting the current state of Canadian education. You who were products of that old system, many of you also suck at math.
By the way, the old system sounds pretty crappy. My parents grew up in the good old days of learning, and do you know what I took away from it listening to their stories as a kid? That most teachers in the old days were masochistic assholes who liked nothing more than to hit kids with straps and to treat kids they didn't really like with utter contempt or disdain.
Do you know what the approach was back in the day if you were bad at math or anything? It was to write you off! "Hey kid, there's always bricklaying or the steno pool! HA HA!"
Margaret Wente pines for the days when the switch was plentiful, and rote memorization was everywhere. This says a lot more about Margaret Wente than it does about what kids are actually taught in Ontario, which, if my son is anyone to go by, is basically the exact same stuff I did, except with more empathy.
If empathy is that bothers you about schools today, then maybe you're the problem.
Friday, September 06, 2013
A Sad Thought
For a few years now, I have been making the rather pessimistic prediction to friends and family that in 10 years, Canada will, in most respects, be to the right politically of the United States. My contention was that it would happen almost happen without a word, and Canadians would only realise it when it was far too late.
Wednesday, September 04, 2013
Does Anyone Remember John Weinzweig?
Canadian composer John Weinzeig would have turned 100 this year. The Toronto Star had a nice overview of what's going on in celebration of his life. But before I get back to him I have to ask: Do you remember that whole thing about needing a new Hockey Night in Canada theme song?
What do you say about the winner? I say it's really, really kitschy.
Firstly, Bagpipes? And isn't this really just another David Foster Olympic tune, except without the edge? Or are the bagpipes the edge?
The new hockey song isn't bad. It's just kitschy. Which I suppose means really bad, but it doesn't sound really bad, so does that make it a work of genius?
Perhaps I've been reading too much Kitsch: The World of Bad Taste, a book I picked up at my favourite bookstore.
It's a depressing read. If you take the book's arguments seriously, basically everything around us is kitsch. As some of the Amazon reviews contend, this could be a "hoplessly outdated" high/low view of art, and I suspect most people who read this book will balk at the possibility that there's this much bad taste out there.
Worse, it was written in the 70's, and as far as I can tell, things have gotten much much worse on the kitch front. At least people way back then came by it honestly! (That's a not very obvious joke right there)
I even found myself looking at the book going "Really? That's kitsch too? Crap! I like that"...he has a special dislike for superheroes - one of the captions for some Batman bedroom wallpaper reads: "The idiotic figures of Batman and Robin raised to the level of unsophisticated decorative fetishes." That, my friends, is contempt! but then again, when you think that superheroes are our biggest, fattest Hollywood spectacles, which people watch while eating an artisinal hamburger with artisinal relish and artisinal kraft dinner made by artisinal artisans from the land of Artisinalia...
Also, my son has a pair of Batman pajamas. He hates them. Now I realise why - my son has an innate hatred of kitsch. God bless that little boy!
I digress...by the end of this exhausting book, I began to dismiss old Professor Dorfles essays as the sad musings of a modern curmudgeon, musings that sound, ahem, a lot like this blog...but just as you get to the end, he makes a case for Andy Warhol and Roy Lichtenstein as decidedly unkitschy artists. Why? Because they use kitschy elements...the miasma of kitsch is unstoppable.
My theory as to why kitsch is everywhere? Kitsch is the aesthetic form of late, late, late capitalism. I mean, once you've exhausted handbags and diamond encrusted watches as luxury goods, where else is there to go but down? Rich people want to eat terrible food too, but they don't want to pay terrible food prices! and if you think I'm kidding, the latest issue ot Toronto Life has an article on fancy tater tots! you cannot make this stuff up folks!
But what about that hockey song? I listen again to the not-so-new Canada hockey song, and I recall how excited people in Canada get when Tim Horton's offers to slop chili into a bowl made of bread, and it seems that Professor Dorfles worst fears have been realised as Canadian society. We are so deep in kitsch that we know nearly nothing else. This is where Stephen Harper was deeply wrong about ordinary Canadians not caring about the arts - when it comes to kitsch, it seems both Canadian artists and ordinary people can't get enough of it. I should know, I live near Dundas and Ossington, perhaps the epicentre of artsy kitsch.
So what's all this crap about kitsch got to do with the hockey anthem, or the title of my post?
My suggestion for the hockey anthem - John Weinzweig's Hockey Night in Canada. It's resolutely unkitschy, for the same reasons Warhol and Lichtenstein are. You can listen to it here. Stick - Check- Bodycheck. He takes the kitsch and he stabs it to death right in front of you. And as a choral piece, it reminds us that our experience of hockey on television is very much through the colour commentary. The other theme songs are just there to tell you to sit down on the sofa, Weinzweig reminds you that you're there to be part of a sacred ritual in Canadian society - watching grown men skate around on ice and shoot a vulcanized rubber disk at each other in the hopes of hitting it into a net.
I would gladly watch the first four minutes of Hockey Night in Canada every Saturday to hear it. But then I would probably turn it off.
What do you say about the winner? I say it's really, really kitschy.
Firstly, Bagpipes? And isn't this really just another David Foster Olympic tune, except without the edge? Or are the bagpipes the edge?
The new hockey song isn't bad. It's just kitschy. Which I suppose means really bad, but it doesn't sound really bad, so does that make it a work of genius?
Perhaps I've been reading too much Kitsch: The World of Bad Taste, a book I picked up at my favourite bookstore.
It's a depressing read. If you take the book's arguments seriously, basically everything around us is kitsch. As some of the Amazon reviews contend, this could be a "hoplessly outdated" high/low view of art, and I suspect most people who read this book will balk at the possibility that there's this much bad taste out there.
Worse, it was written in the 70's, and as far as I can tell, things have gotten much much worse on the kitch front. At least people way back then came by it honestly! (That's a not very obvious joke right there)
I even found myself looking at the book going "Really? That's kitsch too? Crap! I like that"...he has a special dislike for superheroes - one of the captions for some Batman bedroom wallpaper reads: "The idiotic figures of Batman and Robin raised to the level of unsophisticated decorative fetishes." That, my friends, is contempt! but then again, when you think that superheroes are our biggest, fattest Hollywood spectacles, which people watch while eating an artisinal hamburger with artisinal relish and artisinal kraft dinner made by artisinal artisans from the land of Artisinalia...
Also, my son has a pair of Batman pajamas. He hates them. Now I realise why - my son has an innate hatred of kitsch. God bless that little boy!
I digress...by the end of this exhausting book, I began to dismiss old Professor Dorfles essays as the sad musings of a modern curmudgeon, musings that sound, ahem, a lot like this blog...but just as you get to the end, he makes a case for Andy Warhol and Roy Lichtenstein as decidedly unkitschy artists. Why? Because they use kitschy elements...the miasma of kitsch is unstoppable.
My theory as to why kitsch is everywhere? Kitsch is the aesthetic form of late, late, late capitalism. I mean, once you've exhausted handbags and diamond encrusted watches as luxury goods, where else is there to go but down? Rich people want to eat terrible food too, but they don't want to pay terrible food prices! and if you think I'm kidding, the latest issue ot Toronto Life has an article on fancy tater tots! you cannot make this stuff up folks!
But what about that hockey song? I listen again to the not-so-new Canada hockey song, and I recall how excited people in Canada get when Tim Horton's offers to slop chili into a bowl made of bread, and it seems that Professor Dorfles worst fears have been realised as Canadian society. We are so deep in kitsch that we know nearly nothing else. This is where Stephen Harper was deeply wrong about ordinary Canadians not caring about the arts - when it comes to kitsch, it seems both Canadian artists and ordinary people can't get enough of it. I should know, I live near Dundas and Ossington, perhaps the epicentre of artsy kitsch.
So what's all this crap about kitsch got to do with the hockey anthem, or the title of my post?
My suggestion for the hockey anthem - John Weinzweig's Hockey Night in Canada. It's resolutely unkitschy, for the same reasons Warhol and Lichtenstein are. You can listen to it here. Stick - Check- Bodycheck. He takes the kitsch and he stabs it to death right in front of you. And as a choral piece, it reminds us that our experience of hockey on television is very much through the colour commentary. The other theme songs are just there to tell you to sit down on the sofa, Weinzweig reminds you that you're there to be part of a sacred ritual in Canadian society - watching grown men skate around on ice and shoot a vulcanized rubber disk at each other in the hopes of hitting it into a net.
I would gladly watch the first four minutes of Hockey Night in Canada every Saturday to hear it. But then I would probably turn it off.
Wednesday, May 22, 2013
In other news
Today is the 200th birthday of the Richard Wagner.
I wish I had something bloggy to say about him, you know, cheeky and showing off how smart and above it all I am, but all I can say is that his operas are some of the most beautiful things I've ever experienced.
As someone also doing a PhD in German, I should especially say something about his impact on German history, but all I can say is that his operas are some of the most beautiful things I've ever experienced.
I wish I had something bloggy to say about him, you know, cheeky and showing off how smart and above it all I am, but all I can say is that his operas are some of the most beautiful things I've ever experienced.
As someone also doing a PhD in German, I should especially say something about his impact on German history, but all I can say is that his operas are some of the most beautiful things I've ever experienced.
The Difference between Right and Left
If David Miller, the former mayor of Toronto (and purported socialist) had been caught on tape smoking crack and spewing racial epithets, and Gawker were fundraising $200,000 to get a copy of the tape, they would have raised the money in a single day and we would all be watching it on the Internet, alongside the video of David Miller's resignation.
Funnily enough, I was walking through the Junction a few weeks ago, and David Miller walked past me. He smiled, and I wished I had said, "we miss you!". Miller was far from perfect, but he never made Toronto the laughing stock of the world. Oh but he also raised taxes so he's the devil.
I really do wonder, what would it take for "Ford Nation" to lose faith in this clown? Given that he's really a cipher for alienated rage, I suppose the answer is nothing, but you are welcome to venture forth in the comments!
But back to my original point. The reason there is a Ford Nation is because a lot of people here, in fact, about a third of Torontonians, are always out for blood, and they are nearly all completely on the right side of the political equation. I often try to ask myself, why are these people so angry, but in that anger comes an incredible amount of reality-bending motivation.
How many people on the left could you imagine seeing a video like that of David Miller and then trying to argue it was doctored? And yet this is the standard line, as though these drug dealers sat some guy in front of a green screen and then CGI'd Rob Ford into the video!! Can you imagine how insane that sounds? It would be cheaper to just outspend him in the next civic election!
No the "left's" actual tactic was to try to have him legally removed from office, which failed. If the video is real, Rob Ford did this to himself, and not the staff at ILM, who created it while on a break from the latest Star Wars film.
Funnily enough, I was walking through the Junction a few weeks ago, and David Miller walked past me. He smiled, and I wished I had said, "we miss you!". Miller was far from perfect, but he never made Toronto the laughing stock of the world. Oh but he also raised taxes so he's the devil.
I really do wonder, what would it take for "Ford Nation" to lose faith in this clown? Given that he's really a cipher for alienated rage, I suppose the answer is nothing, but you are welcome to venture forth in the comments!
But back to my original point. The reason there is a Ford Nation is because a lot of people here, in fact, about a third of Torontonians, are always out for blood, and they are nearly all completely on the right side of the political equation. I often try to ask myself, why are these people so angry, but in that anger comes an incredible amount of reality-bending motivation.
How many people on the left could you imagine seeing a video like that of David Miller and then trying to argue it was doctored? And yet this is the standard line, as though these drug dealers sat some guy in front of a green screen and then CGI'd Rob Ford into the video!! Can you imagine how insane that sounds? It would be cheaper to just outspend him in the next civic election!
No the "left's" actual tactic was to try to have him legally removed from office, which failed. If the video is real, Rob Ford did this to himself, and not the staff at ILM, who created it while on a break from the latest Star Wars film.
Subscribe to:
Posts (Atom)