My life is really taken up with Faust right now - I mean Goethe's of course, if one can say that Goethe's Faust is Goethe's, and not say everyone, but...
There's a lot to say, and I suspect I will say more here, but I just wanted to share some of my favourite moments - after all, a scholarly paper is no place for that, so why not a blog entry.
Am I crazy to think that Gretchen is just unbelievably likeable? I mean, is it just because I'm a man, or is her combination of simple honesty with a kind of humanity in the understanding of her own failings what makes her so compelling?
Nowhere else do we get this than in the scene from Part I entitled Am Brunnen. It's Gretchen and another girl gossiping about a yet another girl who finds herself pregnant out of wedlock, and the horrible social consequences of the pregnancy - the scene comes right after Gretchen's own affair with Faust.
The other girl leaves, and Gretchen says:
Wie konnt' ich sonst so tapfer schmälen,
Wenn tät ein armes Mägdlein fehlen!
wie konnt' ich über andrer Sünden
Nicht Worte g'nug der Zunge finden!
Wie schien mir's schwarz, und schwärzt's noch gar,
Mir's immer doch nicht schwarz g'nug war,
Und segnet' mich und tat so groß,
Und bin nu selbst der Sünde bloß!
Doch - alles was dazu mich trieb,
Gott! war so gut! ach war so lieb!
I think it's the "doch" that really gets me here...if only we were all so capable of this kind of introspection...
Monday, February 28, 2011
Sunday, February 27, 2011
Karate Lessons
Like most six year old boys, my son loves to play fight. As I've discussed before (perhaps too often), he loves Star Wars, and, as he has rather cogently noted, "Star Wars is all about fighting" (this wasn't a good thing for him, by the way). But it occurred to myself and his mom that his interest in the Jedi Code and his interest in punching might lead to an interest in martial arts.
When the idea of taking some kind of martial art came up, he was initially very excited to do it. However, for whatever reason, we never got around to signing him up for anything until this past January, and when he went, he refused to do it. And I don't mean refused, he really kind of lost it.
As someone who did karate as a kid, I was genuinely perplexed - his fear was that people would punch him, even though he knew that the entire point of learning a martial art isn't to fight, but to learn how not to fight. Some of the instructors could certainly be intimidating, but you quickly learned that their demeanour wasn't based on aggression but on discipline.
But all he could see was the downside of the situation, and I can't help but think about why - by his own interests, this should be something he wants to do, but in practice...not so much.
Is there a point to this? Kind of - I think it shows how much of a role time plays in introducing these kinds of disciplines to someone, especially children - if he had started when he was 4, it would have probably been OK, but he has enough self-awareness now to see what's going on in there and see nothing but danger.
And maybe he will take it up in a few years. I think something a lot of us do, with kids, and with ourselves, is take life's interests as somehow permanently pre-formed, and perhaps what a 6 year old can't do, an 8 year old would be very much into.
Our lives are dynamic and not static, and maybe the one thing I learned in dragging a screaming child to karate lessons that he never actually set foot in is that there is always hope, there is always a chance that next time, he would set foot into the class, and that would be all the more wonderful thing to see because it was a struggle for him.
In a world where so many people live unhappily in their comfortable lives, the struggle to learn karate, or another language, reminds us that it is life's challenges, and not the latest handbag, that make people who they are, for better or for worse.
That being said, do I intend to drag my son to karate until he finally goes? Well, that's another story...I think instead I'll give it some time, and try again in a year.
When the idea of taking some kind of martial art came up, he was initially very excited to do it. However, for whatever reason, we never got around to signing him up for anything until this past January, and when he went, he refused to do it. And I don't mean refused, he really kind of lost it.
As someone who did karate as a kid, I was genuinely perplexed - his fear was that people would punch him, even though he knew that the entire point of learning a martial art isn't to fight, but to learn how not to fight. Some of the instructors could certainly be intimidating, but you quickly learned that their demeanour wasn't based on aggression but on discipline.
But all he could see was the downside of the situation, and I can't help but think about why - by his own interests, this should be something he wants to do, but in practice...not so much.
Is there a point to this? Kind of - I think it shows how much of a role time plays in introducing these kinds of disciplines to someone, especially children - if he had started when he was 4, it would have probably been OK, but he has enough self-awareness now to see what's going on in there and see nothing but danger.
And maybe he will take it up in a few years. I think something a lot of us do, with kids, and with ourselves, is take life's interests as somehow permanently pre-formed, and perhaps what a 6 year old can't do, an 8 year old would be very much into.
Our lives are dynamic and not static, and maybe the one thing I learned in dragging a screaming child to karate lessons that he never actually set foot in is that there is always hope, there is always a chance that next time, he would set foot into the class, and that would be all the more wonderful thing to see because it was a struggle for him.
In a world where so many people live unhappily in their comfortable lives, the struggle to learn karate, or another language, reminds us that it is life's challenges, and not the latest handbag, that make people who they are, for better or for worse.
That being said, do I intend to drag my son to karate until he finally goes? Well, that's another story...I think instead I'll give it some time, and try again in a year.
Wednesday, February 23, 2011
Ego Flos Campi
M,
There is a personal irony in the fact that this work, by Clemens non Papa, is something I listen to nearly every day, in a recording by Stile Antico - the sound is so warm and beautiful, and they take it so slowly, revealing a density to the work that eludes the faster performances.
But that's not ironic, is it? Wait, it will come. But I needed to get the beauty of the performance out of the way. At some point, I had decided that I would make this a motet for my wedding, by which I mean of course, some hypothetical wedding, and not one that is actually happening, although I must admit that one rarely thinks about wedding plans unless there was someone with whom they could imagine (or dare I say, fantasize) walking down that aisle, and taking their soft, delicate hand into yours and slipping a ring onto her finger as, oh, something like this unfolds in the background.
Having been married, and having had a choir sing at my first wedding, I was reluctant to do this again. But then I heard this piece, and I decided I would be OK with a choir, singing this work, very slowly, perhaps not as part of a service, but as a musical gift to my then-future-past wife.
Do you know where the words for this piece come from? The Song of Songs, the Bible's liminal space. This piece is like a soundtrack to a wedding that will never happen, or at least, I won't be there. But I can really only talk about this because I'm OK with it - my silence, and you know this, is more often a sign of pain than of joy. And you can rest assured that, as of right now, M, I have never been happier. Honestly.
Oh right, the irony. The words "Ego Flos Campi" means something like I am the flower of the field. Heidenröslein.
I can see your face now - The work that sings of the wedding that will never be recites the very moment when the possibility of that wedding died, auf der Heiden.
It puts a smile on one's face, doesn't it? How did I not know this until today?
Life constantly amazes!
There is a personal irony in the fact that this work, by Clemens non Papa, is something I listen to nearly every day, in a recording by Stile Antico - the sound is so warm and beautiful, and they take it so slowly, revealing a density to the work that eludes the faster performances.
But that's not ironic, is it? Wait, it will come. But I needed to get the beauty of the performance out of the way. At some point, I had decided that I would make this a motet for my wedding, by which I mean of course, some hypothetical wedding, and not one that is actually happening, although I must admit that one rarely thinks about wedding plans unless there was someone with whom they could imagine (or dare I say, fantasize) walking down that aisle, and taking their soft, delicate hand into yours and slipping a ring onto her finger as, oh, something like this unfolds in the background.
Having been married, and having had a choir sing at my first wedding, I was reluctant to do this again. But then I heard this piece, and I decided I would be OK with a choir, singing this work, very slowly, perhaps not as part of a service, but as a musical gift to my then-future-past wife.
Do you know where the words for this piece come from? The Song of Songs, the Bible's liminal space. This piece is like a soundtrack to a wedding that will never happen, or at least, I won't be there. But I can really only talk about this because I'm OK with it - my silence, and you know this, is more often a sign of pain than of joy. And you can rest assured that, as of right now, M, I have never been happier. Honestly.
Oh right, the irony. The words "Ego Flos Campi" means something like I am the flower of the field. Heidenröslein.
I can see your face now - The work that sings of the wedding that will never be recites the very moment when the possibility of that wedding died, auf der Heiden.
It puts a smile on one's face, doesn't it? How did I not know this until today?
Life constantly amazes!
Wednesday, February 09, 2011
On Conducting
At some point in my life, I wanted to be a conductor.
For myself, one of the more difficult things about wanting to be a conductor was enduring the constant question of what a conductor actually did on stage. I was always kind of lousy describing it, because it's really one of those things that you have to experience, either as a performer or as a conductor, to understand.
At this stage, I would probably say that the role of the conductor is to negotiate some kind of coherent performance between the musicians before them. However, there's a great article in The Morning News right now that does a much better job than I, in part because instead of describing it, the author actually stands in front of an orchestra and conducts it. Moreover, he's an amateur, with the blessings that this status can bestow, like an open mind.
It's a wonderful read, in part because the author, unlike many of the people who asked me that question back in the day, is prepared to consider the possibility that the conductor actually does something. That's a refreshing change!
For myself, one of the more difficult things about wanting to be a conductor was enduring the constant question of what a conductor actually did on stage. I was always kind of lousy describing it, because it's really one of those things that you have to experience, either as a performer or as a conductor, to understand.
At this stage, I would probably say that the role of the conductor is to negotiate some kind of coherent performance between the musicians before them. However, there's a great article in The Morning News right now that does a much better job than I, in part because instead of describing it, the author actually stands in front of an orchestra and conducts it. Moreover, he's an amateur, with the blessings that this status can bestow, like an open mind.
It's a wonderful read, in part because the author, unlike many of the people who asked me that question back in the day, is prepared to consider the possibility that the conductor actually does something. That's a refreshing change!
Wednesday, February 02, 2011
Snow Day
In defence of my fellow Torontonians, who, this morning, seemed to have completely overreacted to today's snow storm, I would encourage people to take a look and see what this storm did in the US - we appeared to have gotten lucky!
Wednesday, January 26, 2011
The MLA Convention
A nice piece on this year's Modern Languages Association Convention at the Awl.
It is with some relief that there's a good chance that by the time I'm on the academic job market (it seems so far away), interviews will be conducted online instead of in a hotel room. I think that's progress, but having never had an interview in a hotel room, I can't really say much more than that!
It is with some relief that there's a good chance that by the time I'm on the academic job market (it seems so far away), interviews will be conducted online instead of in a hotel room. I think that's progress, but having never had an interview in a hotel room, I can't really say much more than that!
Tuesday, January 04, 2011
Happy New Year!
To all my readers, old and new, all the best for this year!
I can assure you that one of my New Year's resolutions was not "to blog more". So I will probably be blogging more! Counterintuitive!
As always there will be no promises, except that I will probably get a bit less solipsistic than I was this fall as the year wears on. Probably.
That being said, for a January, I'm feeling rather upbeat, especially given I have just passed, and I'm coming up on, a number of rather unfortunate milestones (millstones would perhaps be more appropriate, ones I carry willingly, but still). I feel like I should be sadder or more messed up right now. But I'm not. Which is probably why I can type this.
I can assure you that one of my New Year's resolutions was not "to blog more". So I will probably be blogging more! Counterintuitive!
As always there will be no promises, except that I will probably get a bit less solipsistic than I was this fall as the year wears on. Probably.
That being said, for a January, I'm feeling rather upbeat, especially given I have just passed, and I'm coming up on, a number of rather unfortunate milestones (millstones would perhaps be more appropriate, ones I carry willingly, but still). I feel like I should be sadder or more messed up right now. But I'm not. Which is probably why I can type this.
Wednesday, December 29, 2010
The Cynic?
M,
The news over Christmas is almost entirely comprised of stories about how busy it is at the mall. The tone of the pieces is a mixture of empathy with an "analysis" of what all this buying will do for the economy. The economy is usually portrayed as constantly near-death, and only the heroic efforts of consumers will save it from collapse. Not like an actual collapse, like a couple of years ago, but something...just go buy some stuff!!!
Interspersed with this were reports about the commemoration of the 2004 tsunami in the Indian Ocean, and it occured to me that the massive outpouring of generosity that happened back then was entirely a feature of the timing of the disaster. I mean, if it had happened outside of the buying/giving orgy of Christmas, it wouldn't have become what it did.
This disaster also gave rise to a spate of reporting on "donor" fatigue, that people had been giving and giving, and they just couldn't do it any more - their generosity was exhausted.
There is a self-congratulatory tone to all of it, and yet no one ever speaks of "buyer" fatigue, that people might be tired of going out and shopping. And yet, one only needs to spend 15 minutes in a mall before or after Christmas to see how unhappy people are, waiting in line to buy something that may or may not be less expensive. The sheer overwhelming obligatory nature of the time can be overwhelming.
So perhaps it shouldn't be surprising that people experienced donor fatigue - after all, people might have felt a kind of resentment, that the season of forced generosity actually contained within it a moment of genuine need.
Then the world opened up - an entire world of need! My God, all these godforsaken people! Back to shopping.
There is a dissonance there, and I do not know what the resolution is.
The news over Christmas is almost entirely comprised of stories about how busy it is at the mall. The tone of the pieces is a mixture of empathy with an "analysis" of what all this buying will do for the economy. The economy is usually portrayed as constantly near-death, and only the heroic efforts of consumers will save it from collapse. Not like an actual collapse, like a couple of years ago, but something...just go buy some stuff!!!
Interspersed with this were reports about the commemoration of the 2004 tsunami in the Indian Ocean, and it occured to me that the massive outpouring of generosity that happened back then was entirely a feature of the timing of the disaster. I mean, if it had happened outside of the buying/giving orgy of Christmas, it wouldn't have become what it did.
This disaster also gave rise to a spate of reporting on "donor" fatigue, that people had been giving and giving, and they just couldn't do it any more - their generosity was exhausted.
There is a self-congratulatory tone to all of it, and yet no one ever speaks of "buyer" fatigue, that people might be tired of going out and shopping. And yet, one only needs to spend 15 minutes in a mall before or after Christmas to see how unhappy people are, waiting in line to buy something that may or may not be less expensive. The sheer overwhelming obligatory nature of the time can be overwhelming.
So perhaps it shouldn't be surprising that people experienced donor fatigue - after all, people might have felt a kind of resentment, that the season of forced generosity actually contained within it a moment of genuine need.
Then the world opened up - an entire world of need! My God, all these godforsaken people! Back to shopping.
There is a dissonance there, and I do not know what the resolution is.
Tuesday, December 07, 2010
A Strange Dream
M-
Very strange, at least I think so. And kind of out of left field (All the best dreams are, aren't they?)
I spend hours begging and pleading the love of my life not to go away today. I have all kinds of reasons as to why she should stay, and I say them while she is packing, and we argue back and forth for what seems like an eternity. It seems hopeless.
She says she is going to leave, and that she's leaving forever. I do not know why, but I feel an intense need to stop her from leaving to a place that she is convinced is better for her, that I know is in fact better for her. I realise that I cannot convince her otherwise.
Then suddenly, she decides to stay. A miracle!
But at that moment, I realise two things - it was not my own reasons that changed her mind, but her own decision to stay. I was not a factor in her staying.
The other thing was that I asked the wrong love of my life to stay! The person who stayed turned out not to be the person I thought they were - I mean, it was literally the wrong person.
M, I read very little into dreams, but the possibility that I convinced the wrong woman to stay with me seems like an entirely plausible state of affairs, doesn't it? Existentially speaking, I mean.
Isn't this always the way? The moment you have what you need, the moment it stops being what you need and becomes what you have. I liked this dream because it illustrates just how we will try to desperately hang on to what we have when we fear losing it, but take little satisfaction in getting it back.
In other words, it remains all about the symptoms, and not about the disease itself. Or at least that's how it looks to me. Any other ideas?
Very strange, at least I think so. And kind of out of left field (All the best dreams are, aren't they?)
I spend hours begging and pleading the love of my life not to go away today. I have all kinds of reasons as to why she should stay, and I say them while she is packing, and we argue back and forth for what seems like an eternity. It seems hopeless.
She says she is going to leave, and that she's leaving forever. I do not know why, but I feel an intense need to stop her from leaving to a place that she is convinced is better for her, that I know is in fact better for her. I realise that I cannot convince her otherwise.
Then suddenly, she decides to stay. A miracle!
But at that moment, I realise two things - it was not my own reasons that changed her mind, but her own decision to stay. I was not a factor in her staying.
The other thing was that I asked the wrong love of my life to stay! The person who stayed turned out not to be the person I thought they were - I mean, it was literally the wrong person.
M, I read very little into dreams, but the possibility that I convinced the wrong woman to stay with me seems like an entirely plausible state of affairs, doesn't it? Existentially speaking, I mean.
Isn't this always the way? The moment you have what you need, the moment it stops being what you need and becomes what you have. I liked this dream because it illustrates just how we will try to desperately hang on to what we have when we fear losing it, but take little satisfaction in getting it back.
In other words, it remains all about the symptoms, and not about the disease itself. Or at least that's how it looks to me. Any other ideas?
Tuesday, November 30, 2010
Public Diaries, Private Letters
Via Russell Smith recently in Globe and Mail, a report on the unearthing of a Ted Hughes poem about the night his estranged wife, Sylvia Plath, killed herself.
I am not going to delve too deeply here in the poem itself, in part because I am not much of an expert on either of them. It is difficult reading, reading him trying to work through his cruelty toward his clearly distressed ex-wife. I do find it interesting that many of the articles speak of the fact that "feminists" hated him because of this, as though everyone else applauded him for leaving his wife and her tragic end...surely this poem expresses his own understanding and working through of the ways in which he was also responsible for her death.
There is a relationship here between the release of this poem, and the battle underway for the release of the remaining manuscripts of Franz Kafka, which was exhaustively and brilliantly written about recently in the New York Times magazine by Elif Bautman.
What do we share? What can we share about others? The battle to keep Kafka private is fascinating - he had instructed Max Brod to burn everything, but he knew also that Brod would not do it. Given we also know that Kafka burned much of his own writing, one can also presume that his request was a gesture of modesty (which Brod then used to build the myth of Kafka) and not a request. What is playing out now seems to be an extension of that very conversation, a case study in the subtleties of conversational implicature...
But what do we do with Hughes' letter? Someone was surely going to come along to find it, but Melvyn Bragg discovered it after learning of its existence from Hughes' ex-wife, so there is a sense that she, and perhaps Hughes himself, had wanted it to be published at some point.
Over the past while, I have been writing a lot of letters, and a lot of other things, and I have no desire to have them see the light of day, certainly not while I'm alive. However, I have written nearly everything online. And I have a public forum (here) to express things in the way I wish to express them.
If I'm hit by a bus tomorrow, does anyone have a right to crack open my account and read everything I wrote (not that anyone would!)? One can delete, but do things really get deleted? Should one be able to mark certain electronic letters as "confidential", or "to be destroyed"?
What do you think?
I am not going to delve too deeply here in the poem itself, in part because I am not much of an expert on either of them. It is difficult reading, reading him trying to work through his cruelty toward his clearly distressed ex-wife. I do find it interesting that many of the articles speak of the fact that "feminists" hated him because of this, as though everyone else applauded him for leaving his wife and her tragic end...surely this poem expresses his own understanding and working through of the ways in which he was also responsible for her death.
There is a relationship here between the release of this poem, and the battle underway for the release of the remaining manuscripts of Franz Kafka, which was exhaustively and brilliantly written about recently in the New York Times magazine by Elif Bautman.
What do we share? What can we share about others? The battle to keep Kafka private is fascinating - he had instructed Max Brod to burn everything, but he knew also that Brod would not do it. Given we also know that Kafka burned much of his own writing, one can also presume that his request was a gesture of modesty (which Brod then used to build the myth of Kafka) and not a request. What is playing out now seems to be an extension of that very conversation, a case study in the subtleties of conversational implicature...
But what do we do with Hughes' letter? Someone was surely going to come along to find it, but Melvyn Bragg discovered it after learning of its existence from Hughes' ex-wife, so there is a sense that she, and perhaps Hughes himself, had wanted it to be published at some point.
Over the past while, I have been writing a lot of letters, and a lot of other things, and I have no desire to have them see the light of day, certainly not while I'm alive. However, I have written nearly everything online. And I have a public forum (here) to express things in the way I wish to express them.
If I'm hit by a bus tomorrow, does anyone have a right to crack open my account and read everything I wrote (not that anyone would!)? One can delete, but do things really get deleted? Should one be able to mark certain electronic letters as "confidential", or "to be destroyed"?
What do you think?
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